Episode 132 · 3 November 2024 · 19:02

Ego vs. Essence: Finding Peace Beyond Your Labels

Who are you without your story? Take away the job, the labels and the roles, and what is left?

Subject: Buddhist & Spiritual Wisdom

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Stillness in the Storms · Episode 132

Who are you without your story? Take away the job, the labels and the roles, and what is left?

You were born a blank canvas and other people handed you the colours. Parents, teachers, the lot. Everything you do today comes out of that. I put a photo of myself in an odd hat on Facebook and watched how quickly a label arrives. You have a thousand voices in there and some are braver, wiser or kinder than the one that usually speaks. Drop the story and you are not becoming somebody new. You are just allowed to pick different colours today.

One thing to try: Go somewhere ordinary today and look at it as somebody with no history of it. See what you notice.

In this episode

  • (1:52) Doctor, carer, dad, councillor. Which one is you
  • (3:09) The blank canvas and who hands you the colours
  • (4:11) The wake of the ship, as Alan Watts put it
  • (5:33) The hat, and how fast a label arrives
  • (8:51) A thousand voices, and you choose which speaks
  • (12:49) What if I bring a new role to this moment
  • (13:51) Become friends with the ego and play with it
  • (16:51) Dropping the story is not becoming a new person

Support the podcast and join the Weekly Calm: stevenwebb.uk

Thank you for listening.

Steven

The question this answers

Who are you without your story?

Somebody asked me that a few years ago and it has come back round while I have been thinking about where my life is. Take away the job, the labels and the roles, and what is left?

The heart of it

  • You were born a blank canvas and other people handed you the colours. Parents, teachers, whoever was around.
  • Dropping the story does not mean becoming somebody new. It means you get to pick different colours today.

Ask who I am and I will say dad, granddad, city councillor, charity trustee, podcast host. Every one of those comes with a story of how I got it.

Where the colours come from is the bit worth noticing. Your parents hand you a few. Maybe a religion, depending on where you happened to be born. Maybe, we were never any good at maths in this family, so do not bother. You are not painting with every colour that exists. You are painting with the ones you were given.

Your story is mostly everybody else's story, because you could only write it inside what was handed to you.

I put a photo of myself in an odd sort of hat on Facebook and lots of people said it suited me, and I still felt like it was not me. Why would it not be me?

I learned my own way early. I have a sister who has always seemed at war with the world, and being the younger one I worked out a different route through: humour, listening, being flexible. Not better. Just a different set of colours. At school I was the one teachers apologised to while giving me a detention. Sorry Steven, but you have broken the rules like the rest of them.

That was not me. That was me learning to play the game, and then living up to the picture.

People used to say I was so laid back I might as well be lying down, and I lived up to that too. Had they told me I was trouble, I would have lived up to that instead.

Then there is the advice about living each day as if it were your last, which I think is terrible. If today were my last I would be in the doctor's demanding to know what was wrong. Try it as a brand new day instead. Same canvas, no history on it.

One small thing to try

Go somewhere ordinary today and look at it as somebody with no history of it. See what you notice.

Then pick three voices to bring to the day. You have a thousand in there, some braver, some kinder, some wiser than the one that usually speaks first. Choosing three is not pretending. It is remembering that the usual three were also a choice, made a long time ago by somebody else.

Questions people ask

Does dropping the story mean forgetting who I am?

No. You keep everything you know and everything that happened. What changes is how seriously you take the description.

Why does trying something new feel so wrong?

Because comfort lives in the known version, even when the known version is not making you happy. Better the devil you know, as people say when they are explaining why nothing changes.

Do I have to paint anything at all?

No. Leave the canvas blank for a day and let everybody else paint it, and see how that feels. That is a legitimate answer and sometimes the honest one.

Read along

The transcript

It follows the audio. Press any line to jump there.

ego · acceptance · spiritual-journey

Read the transcript

So I was asked a really good question a few years ago, and it's

really come back at the moment as I'm thinking about my life and

all at the moment. And the question was, who are you without

your story? Who are you without your story? I thought that

was absolutely brilliant. So we're going to discuss that on today's

podcast. I'm Steven Webb. This is Stillness in the Storms, the podcast

that helps you to get through life's toughest challenges with a

little bit of inner peace. So just talking about that question,

because I like to dive straight into my podcast rather than

have lots of other things going on and just imagine waking

up and suddenly realizing you did not have no history, but the

whole world was an adventure that you could do anything in. And

I think that's what it felt like when someone said, who are you

without your story? But where does our story come from? So, okay,

when we're born, we are a blank canvas. You know, yes, we got

some of the leftover genes and all that from our parents and grandparents

and grandparents beyond that. And yes, they all have a bearing

on us to some degree, but not really. In our story, there is some

evidence that whether we're having a substantially good time

or a substantially bad time in the generations previous, if they

had a really rough decades, that that may be passed down to some

degree. But I'm talking about the surface level story of when someone

says, who are we? And we say, oh, well, I'm a doctor, or I'm a

carer, or I'm currently disabled, or what we think we are

at any given moment. For example, I'm a dad, I'm a granddad.

I'm also, I do some charity work, I'm a city councillor. And

all of those come with a story of why and how and how I become it.

But what would I be, what would I do today if I did not have

that story? So just going back to where the story comes from, and

the story is the ego, the who are we, who am I? And it comes from

our childhood influences, you know, from the friends we hang out

with to the friends of our parents, to our parents, grandparents,

our teachers, our peers, all of them have a bearing on how we

live a life, what we believe in, what we do. And I think we end

up accumulating so many different labels of our professional

student, professional parent. And those things all help shape our

lives and to some way that they highlight how these stories

become our constraints and limiting what is potential and things

like that. So the wonderful analogy that I Like is, you imagine

you are born a blank canvas and you've got that canvas on the

wall, and that canvas, that picture is going to tell your story.

The people that hand you the colors are your parents, what colors

you can use, for example, what religion you are. Maybe depending

on where you were born and what parents you were born to, they'll

land you a specific colour that you can paint. Or maybe they

have a certain belief. Maybe your parents say, well, I was no

good at maths. Your grandparents were no good at maths.

There's no point in trying to study math, so they'll hand you another

colour and they hand you all these colours that you can paint

your picture. So you're not painting the picture with every possible

thing that you could do, you're actually painting the picture

with what people are handing you. So although you think you've

got your story, your story is really mostly everybody else's story,

because you could only write it in the constraints of what was

handed to you. Everything you learned, everything you did and everything

you're doing today, just the same as me, I'm no different. Everything

is based on our past. You know that wake of the ship, as Alan Watts

would say, you know, that wake of the ship is our story, is how

we got there. You know, anybody studying the ocean wouldn't

have to see the ship to understand, just by looking at the

wake, to understand roughly what went before it. So you can look

at a person's life and what they're doing and their story and

all that to tell you what kind of person and how they would react

in certain situations. So you become that story. So with a blank

canvas, you end up painting a picture and then we end up living

up to that picture. If someone comes in and says, well, look, let's

try a different color again. No, no, that's not me. That's not

who I am. It's like, well, how do you know it's not you? How do

you know it doesn't fit? How do you know that colored top that

you don't normally wear would look terrible on you? Because you're

putting yourself in this category or labeling it in a certain

way because someone said to you, it won't look good or won't.

I tried a hat on the other day and it's quite an unusual type hat.

I don't know how to explain it, really. I have no idea what it's

called. It's got a peak and it's quite flat on top and all that.

And I put it on Facebook as a midlife crisis. And I put the picture

up and loads of people come back and say, that really suits you.

That looks really awesome. But I feel like it's not me. Why would

that be me? And getting changed into these clothes and then

going out and about and being part of that, it'd be like. Feels

uncomfortable because we become comfort comfortable in the

story of what we are so trying to drop that story. Yes, it opens

up to all these possibilities, but that's where it comes out of

our comfort zone. But I want to talk about it in more of a context

of reducing our suffering, because that's what stillness in

the storms is all about. You know, if you can find that stillness

when everything else is going wrong and we're trying to live up

to this current situation with the framework and the tools we have,

then it becomes hard work because maybe we don't have to change

the situation. Maybe we can relish in a different way. Maybe

if we did have different colors, we can paint a whole new

picture. So it's like resetting the whole trajectory. You

know, you can at any moment, you can change direction at any moment.

You could go, no, I've always used that color. But let's try a

different color. Let's wipe the canvas clean. What would you

create if you had a brand new blank canvas now? So you wake up

tomorrow not losing all your knowledge? You have all your knowledge

to function in the world, but you just don't know the structure

and the framework of your story. So you don't know what you

like and you dislike. You don't know what foods you like, you

don't know what careers and things like that. You don't even

know what experiences normally you like. So you suddenly have this

opportunity to try things. Do you think you would find out about

new things? Do you think you would find out about new foods and

new colors? Do you think you would end up with a different canvas?

But then you end up with another story, another. A masterpiece,

I guess, another ego. But here's the thing with mindfulness

and the thing with reducing suffering is at any given moment,

you can paint the canvas in whatever colors you choose. So in

this moment, I might choose. I'm going to paint this canvas with

compassion and I'm going to paint it in lovely greens and blues

and calm colors. Another day I go, wait a minute. What if I want

to paint the canvas a different color? And while I'm using

the analogy of painting the canvas, it's just a way of showing

up. Pick your three colors. Pick Your three moods, Pick your

three voices. And we all have these massive amounts of voices inside

of us. I talk about this on the podcast quite a bit. You can

choose which fingerprint of voices. Let's say you got a thousand

voices. Some of them are more abrupt, some of them are more compassionate,

some of them are more wiser, some of them are a little more brave.

And they all have a certain length between naught and a hundred.

And every single day, they're going to be a slightly different

number. They're going to be roughly the same. What if you could

just. Do you know what? I want to bring a completely different set

of voices to my experience today. And by doing this, you just

mindfully start choosing to experience a love life a little bit

more instead of trying to mold the situations into your story and

your framework of who you are. You know, you're not your thoughts.

You have thoughts. You're not your thoughts. You have a story,

but you're not your story. You have this ego, but you're not the

ego. The ego is just something that's been constructed to help you

to survive in the world. And what an incredible job it's done.

You're here now. You listen to this podcast. You've been through

all kinds of stuff in your life, and you're here. And because

you're here, you probably want to reduce your suffering a little

bit, improve your life in some way, or just take your story a little,

a little less seriously. Very much. People would say to me, so

what's Stephen like? Well, he's very laid back. And I remember

they used to say, he's so laid back, he may as well be lying down.

And really that was just an ego, a story that I created that

because many people told me that I lived up to that. If people

tell me when I was a child that I was some kind of evil and

I was naughty and I was always. I would have lived up to

that as well. Not saying I wasn't naughty, of course I was.

I was one of those children that was pleasure to have in the

class, just wish you would do some work. And the teachers used

to be really annoyed with me whenever I'd done something really

wrong. And they had to. So sorry, Stephen, to have to give you

lines and all that, but you've broke the rules like the rest of

them. You really need to do it. And they were always apologetic

when they were punishing me. I guess I took it nicely. I guess that's

a good thing. It's like, I'm so sorry, Stephen. But you're going

to have to do lines at lunchtime where you're going to have

to have a detention at lunchtime. And the rest of them,

like, you can stay in here. That's it. I'm so sorry, Stephen.

You got to as well. Just makes me laugh now when I look back. And

all I did was I learned to play the game. I have a sister that

seems to be very much at war with the world. And being a younger

brother, I just learned to. Well, they're at war with the world.

How do I do it? And I've done it through humor, I've done it through

listening, I've done it through compassion, I've done it

through being a little more flexible. Not because I'm some kind

of better or worse than her, it's just because I learned a different

way. She's learned her way, her story, her ego. I've learned

my way, my story, my ego. It's our canvas. That's what we're showing

the world. But we don't have to live up to every single moment

in that framework. You know, look, I've got my framework for stability,

but I want to step out of it. I know I can step back into my story.

And I know at times I have to be the grandparent, I have to be

the parent, I have to be the podcast host and all that. I get

that I have to take on these roles, but what if there's moments

where, hey, what if I bring a new role to this moment? What if

I. When I'm going out for a walk and I'm looking around, I look

at it through a different eyes. What if I take the role of

bird? You know, what can the bird see looking down from a tree?

And I think these, when we look at life a little more in that

way, when we question what would we do today if we did not have

a story? There's another way of looking at this, and that is when

people say, you should take each day as if it's your last day.

And I'm like, no, that's terrible advice. If this was my last

day on earth, I'd be like, freaking out. I'd be like running

the doctor and going, what's wrong with me? Why am I going to

die today? But if you've seen today as if it's a brand new day,

wow, I've got a canvas. Wow, what a brand new color. Wow. I can

paint what I want. I can tell my story. So then we become friends

with the ego and we can play with the ego. We can play with the

story, we can invoke the story for a healthy way, and we can drop

the story when we need to. And it's beneficial. We don't have to

stay so rigid with it. And that's what it means more about dropping

your story. It doesn't mean forgetting who you are. It doesn't

mean not knowing your family or not knowing any of your past history.

It means take it less seriously. It means that just because

you've got the wake and you are the ship, it doesn't mean to

say you can't change direction and then change it back and then

a bit more and then. And the more we do this, the more we just

play with the ego. We play with the self, we play with who we

are. And children do this all the time because they haven't, they

haven't had that direction of. The older they get, the more they

fit into the category, the more rigid they become, the more

structure and ego and story they have. And when you, when you

speak to someone a bit older, oh, I've been doing it 30 years.

You're not going to change me. Why not? You're only. The only reason

you're saying that is because it's uncomfortable to change or that

you're just comfortable and you're happy with your life or whatever.

And you may not even be happy, but it's more comfort knowing the

devil you know than risking finding out about new devils, I guess.

Not sure if I got that phrase right, but you know exactly what

I mean. It's easier to be the victim. It's easier to be, oh, that's

who I am. Nothing I can do about it now because doing something

about it feels like hard work, but it isn't. You don't have to actually

do anything, you know, have a blank canvas, you don't have to paint

the canvas, leave it blank. You know, today I'm going to let

everyone else paint my story. I'm going to sit back and watch.

And tomorrow I may paint it myself. And the day after that, I

have no idea. And then you can slow it down to each given single

moment. In this moment, I'm going to show up as compassion, because

that's what the world needs. In this moment, I'm going to show

up as something different because that's what the world needs.

In this moment, I'm going to be grandparent, doubting over my

granddaughter, 11 months old, because that's what the world needs.

And then also it's what I need. What canvas do I need. What

colors do I need to reduce my suffering? To enjoy life in this

moment? So to recap, to drop your story doesn't necessarily mean

you have to become a brand new person and write a new story. It

means that you have the possibility to write the story in

any given moment. Your story was wrote by the people that handed

you the words you can use, the pens you can use. They wrote the

chapter for you, but you're just trying to put it in your words.

What I'm saying is you have a blank page or a blank chapter, you

know, put it in your words, take your words, use what you want,

Pick the colors of your choice in this given moment. It doesn't

mean they're a permanent fixture. Doesn't mean if you pick

those three colors today, that's it for the rest of your life.

But this is what most people think with stories and ego. Well,

that's me. That's who I am. Says who? You. Because you're attached

to your story. So that's my podcast today. I'm Steven Webb and

this is Stillness in the Storms. And thank you for supporting

me. You are absolutely awesome. And anybody that donates

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And it's purely paid for and run by, by those of you that can

afford to donate a coffee to me. Thank you. I love you and wishing

you a wonderful week. See you next week. Take care. Bye.

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